Shamoto runs a small tropical fish shop. His second wife, Taeko, does not get along with his daughter, Mitsuko, and this worries him. One day Mitsuko is caught shoplifting at a grocery store. There they meet a friendly man named Murata, who helps to settle things between Mitsuko and the store manager. Since Murata also runs a tropical fish shop, Shamoto establishes a bond with him and they become friends; Mitsuko even begins working for Murata and living at his house. What Shamoto doesn’t know, however, is that Murata hides many dark secrets behind his friendly face. He sells cheap fish to his customers for high prices with his artful lies. If anyone detects his fraud or refuses to go along with his money-making schemes, they’re murdered and their bodies disposed of by Murata and his wife in grisly ways. Shamoto is suddenly taken in by Murata’s tactics, and by the time he realizes that Murata is insane, and a serial killer who has made over fifty people disappear, he is powerless to do anything about it. But now Mitsuko is a hostage at Murata’s home, and Shamoto himself has become the killer’s unwilling accomplice. Cruel murders gradually cripple his mind and finally the ordinary man is driven to the edge of the abyss.

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A girl named Kimika wakes up chained up in a dark boiler room, unsure of how she got there. She’s soon approached by a strange large man wearing a mask and using a creepy voice changer. The girl is the daughter of Daisuke, the shrewd president of a general contracting company. Daisuke was too occupied with an ongoing sexual fling with his secretary (Asami) to notice that his daughter was missing at first, and his relationship with her was already strained due to a certain incident in the past, but when he receives a threatening phone call he eventually recognizes the gravity of the situation. Eventually, Kimika begins to calm down as her fear slowly turns into a perverse attraction to this strange person holding her captive. What is the kidnapper’s motive? And what is his true form? In the basement of a certain building, insanity merges with obscenity as the plot unfolds.

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In Okinawa, Ayaka Kurenai was born in the world’s greatest legendary Karate family. When she was a child, her family was attacked by a mysterious gang that seeks legendary black belt. Her father Soujiro Kurenai was killed and her younger sister was taken in front of her. Time has passed. In Yokohama, she was spending her life as a normal high school girl, hiding her real name and her status as a heir of the legendary Karate family. However, one incident brought her a fateful encounter with her sister who was separated in their childhood. But, her sister was raised as a heartless killing machine by the mysterious gang who took her…

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“Parade” is the story of a strange living situation in a 2LDK apartment (having two bedrooms, a living-dining room, and a kitchen) in suburban Tokyo. There are five residents ranging in age from eighteen to twenty-eight: a male student with no evidence of any drive; Kotomi (Shihori Kanjiya), an out-of-work aspiring actress who longs for a celebrity boyfriend; Miki (Karina), a heavy-drinking female illustrator; Satoru (Kento Hayashi), a male prostitute with a spectator like attitude toward life; and Naoki (Tatsuya Fujiwara), a salaryman who works for a film distribution company and says strange things in his sleep. The roommates are not in any way romantically involved with one another, but one can see subtle hints of affection and friendship among them. In the end, however, none of them really know each other.

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Beautiful girls are in danger. At Sunny Beach, a huge shark is waiting for his prey. College students Miki and Mai arrive on a private beach on a tropical island. They can’t find the hotel where they booked their reservations, and have gotten hopelessly lost, until a handsome young man shows up, offering to take them to his lodge. But something is not right about the place. The owner’s fingernails are tainted with blood and Miki feels something sinister lurking nearby.

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Als die Battle Girls abermals von den Yakuza bedroht werden und unzählige Bandenmitgieder dahingemetzelt wurden, muss Asami erneut eingreifen. Asami kehrt zurück und findet eine Bleibe bei einer guten Freundin des Barbesitzers Inokuma. Die gute Frau ist wie eine große Schwester für Asami: Sie zeigt ihr das Lachen. Doch die Yakuza erfahren von der Rückkehr Asamis und setzen die Kampfmeisterin Akira auf sie an. Inokuma beginnt Asami für diesen finalen Kampf zu trainieren, doch Akira scheint vollkommen überlegen zu sein. Die kaltblütige Akira beginnt zuerst Asamis Freunde zu töten, bevor sie sich ihrer wahren Gegnerin stellt. Das ist Öl im Feuer des Hasses zwischen den verfeindeten Gangs: Asamis Rache gipfelt in purer Gewalt. Zwischen Asamis Battle Girls und Akiras Yakuza Gang kommt es zum ultimativen, blutigen Showdown in Tokyo Bay.

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Ochô (Reiko Ike), eine Diebin und Kämpferin, reist nach Tokyo. Dort angekommen kommt es zu einem kleinen Kampf, wo sie gefangen genommen wird. Als sie bewusstlos wird, hängt man ihr einen Mord an. So kommt es, dass Ochô neben einer blutverschmierten Leiche aufwacht. Mit Hilfe von Joji (Ryohei Uchida), einem Einzelgänger, kommt sie einem Drogenschmugglerring auf die Spur. Diese verschleppen Frauen und zwingen sie, Drogen zu transportieren (in ihren Vaginas!!!). So schliessen sich Joji und Ochô den abhängig gemachten Frauen an, um Rache zu üben.

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