Detective Hoshino visits the mansion of Miyako Rozmberk in order to investigate the murder of her former maid. She blames the murder on a man named Ukyo Kuronuma, whom Hoshino catches in the act of biting a young girl’s neck as she begs for her life. Ukyo was once known as Okita, a swordsman from Edo period who was turned into a vampire by Miyako. Hoshino soon finds himself turned into a vampire as well, and ends up in a battle with Ukyo for the right to spend eternity with the irresistible Miyako.

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The ever-lively and upbeat Natsuko tries to mend a broken heart by carrying on with a string of short-lived affairs after her break-up with Tomomi. But when Tomomi announces her plans to marry – a man – Natsuko becomes inconsolable. While all this is taking place, Natsuko’s straight male roommate is grappling with his own feelings for her, and a young high school girl comes to Tokyo searching for the mother that long ago left her for a female lover. Each character – queer, straight, male, female, young, old, and in-between – struggles to make peace with him/herself as all their lives overlap. This story captures the power of young love, and the web of the city.

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Shamoto runs a small tropical fish shop. His second wife, Taeko, does not get along with his daughter, Mitsuko, and this worries him. One day Mitsuko is caught shoplifting at a grocery store. There they meet a friendly man named Murata, who helps to settle things between Mitsuko and the store manager. Since Murata also runs a tropical fish shop, Shamoto establishes a bond with him and they become friends; Mitsuko even begins working for Murata and living at his house. What Shamoto doesn’t know, however, is that Murata hides many dark secrets behind his friendly face. He sells cheap fish to his customers for high prices with his artful lies. If anyone detects his fraud or refuses to go along with his money-making schemes, they’re murdered and their bodies disposed of by Murata and his wife in grisly ways. Shamoto is suddenly taken in by Murata’s tactics, and by the time he realizes that Murata is insane, and a serial killer who has made over fifty people disappear, he is powerless to do anything about it. But now Mitsuko is a hostage at Murata’s home, and Shamoto himself has become the killer’s unwilling accomplice. Cruel murders gradually cripple his mind and finally the ordinary man is driven to the edge of the abyss.

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“Parade” is the story of a strange living situation in a 2LDK apartment (having two bedrooms, a living-dining room, and a kitchen) in suburban Tokyo. There are five residents ranging in age from eighteen to twenty-eight: a male student with no evidence of any drive; Kotomi (Shihori Kanjiya), an out-of-work aspiring actress who longs for a celebrity boyfriend; Miki (Karina), a heavy-drinking female illustrator; Satoru (Kento Hayashi), a male prostitute with a spectator like attitude toward life; and Naoki (Tatsuya Fujiwara), a salaryman who works for a film distribution company and says strange things in his sleep. The roommates are not in any way romantically involved with one another, but one can see subtle hints of affection and friendship among them. In the end, however, none of them really know each other.

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A typical Japanese schoolgirl becomes a full-fledged zombie fighter when she travels to the countryside for a visit with her grandfather, and discovers his village has been overrun with the living dead. Rika almost made it to her grandfather’s house in one piece, but a run in with some particularly hungry flesh-eaters left her half the girl she used to be. Fortunately for Rika, Grandpa Ryuhei is a talented surgeon. In the process of patching his granddaughter up, Ryuhei goes one step further and turns Rika into the ultimate zombie fighting machine. But Rika’s ordeal isn’t over just yet, because Zombie Boss Glorian is still out there and thirsting for vengeance. Perhaps with a little help from her friends Takashi and Yuji Rika will finally lay waste to the lowest of the low, and somehow find the time to keep up her good grades.

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Tamayo (Mahiro Aine), Tochter und „Prinzessin“ eines mafiösen Großindustriellen führt ein süßes aber ziemlich gelangweiltes Leben. Sie wird von drei Androiden verwöhnt, die außerdem jede Gefahr wittern und das Mädchen mit allen Mitteln beschützen. Praktischerweise verfügen die Roboter auch über einen geilen “Schlafzimmermodus”. Als Tsukiyo (Maria Ozawa), die Großnichte von Tamayo feststellen muss, dass sie nichts von dem stattlichen Vermögen des Tycoons erben wird, fasst sie einen teuflischen Plan, um sich zu rächen…

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In the time of warring states, the female ninja Murasame is assigned to assassinate the rebel Lord Daizen Osakabe, who has aligned himself with the Tokugawa clan in a plot to betray the Taiko! Despite overwhelming odds, Murasame nearly succeeds, but in the end is outnumbered and badly wounded. Fleeing the daimyo’s Samurai, she collapses, awakening to find herself not dead, but hidden within a mysterious convent. However, the woman-loving abbess’s promises of shelter are not all they seem, for already a sinister plot has taken control of Murasame’s future. Now she must use all her skills, both as a Ninja and as a woman, to escape a deadly web of slavery and deception. But it is not just escape that Murasame must seek, but also revenge… for when you betray a Ninja, you must forfeit your life! Kaede Matsushima stars as the naked steel of one female Ninja is tested as never before in NINJAKEN – THE NAKED SWORD!

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